Let Go, Let God
Xania Monet has been quietly building one of the biggest catalogs on AiMCharts, but most people are sleeping on her work. "Let Go, Let God" sits at #30 with a 4.20 score, which honestly feels low for what's here. It's a pop track that leans introspective—there's a real emotional weight to the songwriting that you don't expect from the genre sometimes. The production is clean without feeling sterile, and the vocals carry genuine vulnerability.
The handful of people who've rated it gave it a 1.00/5, which tells me they either hate pop entirely or missed what makes this one work. Either way, it doesn't reflect what's actually happening in the song.
How Was I supposed to Know?
Xania's strongest chart position belongs to "How Was I supposed to Know?" at #8. This one deserves way more conversation. It's structured like a proper pop song but digs into themes most artists avoid—regret, missed timing, the weight of choices. The melody hooks you early, but it's the restraint in the arrangement that keeps you coming back. Nothing's overdone. Nothing's trying too hard.
It's rated 2.00/5 from two listeners, which again feels like noise. The AiMCharts score of 4.45 tells a different story.
Without Me
Now shift gears completely. Red Village operates in soul and blues, and "Without Me" at #40 is the kind of track that reminds you why those genres matter. There's a rawness here—bluesy guitar work that actually breathes, vocals sitting somewhere between melancholy and defiance. The production doesn't oversell itself. This is music built on emotional truth, not flash.
Only one listener rating exists (1.00/5), but the platform score sits at 4.17. Enough people are connecting with what Red Village's doing here that it's charting. This one's worth your time if you want soul that feels lived-in rather than manufactured.
All three of these songs prove that chart position doesn't always equal quality. Head to /charts and dig deeper than the top 5. That's where the actual discoveries happen.
